Ti Saddhya kai karte
"Ti Saddhya kai karte" is a marathi movie in which a boy starts loving a girl and as they lived in the same colony they become good friends.
The first 15-20 minutes that are based on Anurag’s childhood are simply magical. Rajwade lingers on the little details which other films in Marathi before never paid heed to. Especially 90s kids will experience a euphoric wave of nostalgia in these 15-20 minutes. What was it like to fall in love? What was it like to compete for it? & what was it like to feel possessive about it & finally taking it for granted! Comparatively the rest of the film never matches this terrific start.
The weakest link of ‘Ti Saddhya..’ are both the debutants Arya Ambekar & Abhinay Berde. From overall body language to dialogue delivery they struggle. However the director doesn’t let them spoil the film except for one important scene. That important scene is supposedly the only scene in the film that creates a conflict. The rest of the film doesn’t really aspire for any conflict of sort but manages to please us.
Another flaw that hurts the film a bit is the stark differences in Anurag’s & Tanvi’s characters. Both these characters are portrayed by three different actors respectively representing three different stages of their lives. Unfortunately nothing in the way they react or behave or even look suggest us that they are the same person. The overall look of these actors too stays superficial & daily-soap like, a flaw that is ever present in almost all of Rajwade’s films. But the overall point that it makes & the content of this film makes us ignore most of these flaws.
This film provides a refreshing take on lost love. Like many Bollywood films it equates friendship with love, but in a rather complex way. There is no big suspense as such but we prefer not to talk about the ‘twist’ in this film. Ankush is smooth & extremely comfortable playing ‘Anurag’, his voiceover is beautifully crisp & adds flavor to otherwise average scenes, but the voiceover is masterfully avoided in some scenes too! Lengthwise Tejashri Pradhan has a smaller role but it’s her best performance on the screen by a distance. Her deliberate restrained approach to her performance makes sense & adds depth to her character. The little kids Hruditya & Nirmohee are perfectly casted & have given beautiful performances, much better than their teenage versions! The music is in safe hands & is hummable.
The best thing about ‘Ti Saddhya..’ is its uncertain nature. There is no formula to this film. It has its own little journey of sorts. For some audience this can be a turn-off as they could not relate it to their definition of ‘romance’ or ‘entertainment’. But for those who are patient & receptive this film will have a soothing effect. The final little conversation between ‘Anurag’ & ‘Tanvi’ simplifies many aspects about love, friendship & the idea of togetherness. We know it, it’s called cinematic liberty! It might not happen in real life, but that’s one of the reasons why films are made!
Watching ‘Ti Saddhya Kay Karte’ is a beautiful experience and watching this movie with your loved ones is much more cheerful.π
The first 15-20 minutes that are based on Anurag’s childhood are simply magical. Rajwade lingers on the little details which other films in Marathi before never paid heed to. Especially 90s kids will experience a euphoric wave of nostalgia in these 15-20 minutes. What was it like to fall in love? What was it like to compete for it? & what was it like to feel possessive about it & finally taking it for granted! Comparatively the rest of the film never matches this terrific start.
The weakest link of ‘Ti Saddhya..’ are both the debutants Arya Ambekar & Abhinay Berde. From overall body language to dialogue delivery they struggle. However the director doesn’t let them spoil the film except for one important scene. That important scene is supposedly the only scene in the film that creates a conflict. The rest of the film doesn’t really aspire for any conflict of sort but manages to please us.
Another flaw that hurts the film a bit is the stark differences in Anurag’s & Tanvi’s characters. Both these characters are portrayed by three different actors respectively representing three different stages of their lives. Unfortunately nothing in the way they react or behave or even look suggest us that they are the same person. The overall look of these actors too stays superficial & daily-soap like, a flaw that is ever present in almost all of Rajwade’s films. But the overall point that it makes & the content of this film makes us ignore most of these flaws.
This film provides a refreshing take on lost love. Like many Bollywood films it equates friendship with love, but in a rather complex way. There is no big suspense as such but we prefer not to talk about the ‘twist’ in this film. Ankush is smooth & extremely comfortable playing ‘Anurag’, his voiceover is beautifully crisp & adds flavor to otherwise average scenes, but the voiceover is masterfully avoided in some scenes too! Lengthwise Tejashri Pradhan has a smaller role but it’s her best performance on the screen by a distance. Her deliberate restrained approach to her performance makes sense & adds depth to her character. The little kids Hruditya & Nirmohee are perfectly casted & have given beautiful performances, much better than their teenage versions! The music is in safe hands & is hummable.
The best thing about ‘Ti Saddhya..’ is its uncertain nature. There is no formula to this film. It has its own little journey of sorts. For some audience this can be a turn-off as they could not relate it to their definition of ‘romance’ or ‘entertainment’. But for those who are patient & receptive this film will have a soothing effect. The final little conversation between ‘Anurag’ & ‘Tanvi’ simplifies many aspects about love, friendship & the idea of togetherness. We know it, it’s called cinematic liberty! It might not happen in real life, but that’s one of the reasons why films are made!
Watching ‘Ti Saddhya Kay Karte’ is a beautiful experience and watching this movie with your loved ones is much more cheerful.π
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